Digiscape started in 2021 with a piece I'd originally made for a meditation center. It wasn't planned as a series. I was just curious what a digital ecosystem might look like, whether nature could exist in a form that wasn't trying to copy the real thing.
That first work became Lava. Then came Seabed, then Forest, and at some point I realized I kept coming back to the same impulse: take something natural that everyone thinks they know, and translate it into something that makes them feel it differently.
Each work begins with something real. Bioluminescent waves, underground fungal networks, moss on a forest floor. Over the years, the series has grown from screen-based visuals to fulldome films, from purely digital environments to installations where real plants and digital imagery share the same physical space. The formats keep changing. I'm still asking the same question.
The artworks from the Digiscape series was exhibited in the following exhibition.